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Triumph - Just a Game

ื‘- 10 ืœื™ื ื•ืืจ 1979 ืฉื—ืจืจื” "Triumph" ืืช ืืœื‘ื•ื ื”ืื•ืœืคืŸ ื”ืฉืœื™ืฉื™ ืฉืœื” "Just a Game".



ื ื™ืชืŸ ืœื•ืžืจ ืฉื–ื”ื• ื”ืืœื‘ื•ื ื‘ื• ื”ืœื”ืงื” ื’ื™ื‘ืฉื” ืœืขืฆืžื” ืืช ื”ืฆืœื™ืœ ื•ื”ืกื’ื ื•ืŸ ืฉื™ืืคื™ื™ืŸ ืื•ืชื” ื‘ืืœื‘ื•ืžื™ื ื”ื‘ืื™ื. ื”ืืœื‘ื•ื ืฉื™ื’ื“ื™ืจ ืืช ื”- DNA ืฉืœื” ื•ื”ืืœื‘ื•ื ืฉื™ื‘ื™ื ืœื” ื”ื›ืจื” ื‘ืงื”ื™ืœืช ื”ื”ืืจื“ ืจื•ืง ื’ื ืžื—ื•ืฅ ืœื’ื‘ื•ืœื•ืช ืงื ื“ื”.


ื”ื˜ืจื™ื• ื”ืงื ื“ื™ "Triumph" ื”ื—ืœ ืืช ื“ืจื›ื• ื›ื”ืจื›ื‘ ื‘ืœื•ื–-ืจื•ืง ื‘ืฉื ืช 1975 ื›ืœื”ืงื” ื”ืžื•ื ื” ืืจื‘ืขื” ื—ื‘ืจื™ื: Fred Keeler ื‘ื’ื™ื˜ืจื•ืช, Peter Young ื‘ืงืœื™ื“ื™ื, Mike Levine ืขืœ ื”ื‘ืก ื•- Gil Moore ื‘ืชื•ืคื™ื ื•ืฉื™ืจื”. ืื—ืจื™ ืฉื”ืœื”ืงื” ืฉื—ืจืจื” ืกื™ื ื’ืœ ืื—ื“, ืขื–ื‘ื• ืคืจื“ ื•ืคื™ื˜ืจ ืืช ื”ืœื”ืงื” ื•ื‘ืžืงื•ืžื ืฆื•ืจืฃ ื”ื’ื™ื˜ืจื™ืกื˜ Rik Emmett ืืฉืจ ื”ืคืš ื’ื ืœื–ืžืจ ื”ืžื•ื‘ื™ืœ ืฉืœ ื”ืœื”ืงื” ื™ื—ื“ ืขื Gil Moore.


ื”ื’ืขืชื• ืฉืœ Rik Emmett ื”ื‘ื™ืื” ืขื™ืžื” ืฉื™ื ื•ื™ ื‘ืกื’ื ื•ื ื” ื”ืžื•ื–ื™ืงืœื™ ืฉืœ ื”ืœื”ืงื” ืขื ื”ืฉืคืขื•ืช ืฉืœ ืคืจื•ื’ืจืกื™ื‘ ื•ืžื•ื–ื™ืงื” ืงืœืืกื™ืช. ื›ื‘ืจ ื‘ืืœื‘ื•ื ื”ืจืืฉื•ืŸ ืฉืœ ื”ืœื”ืงื”, ืืฉืจ ืฉื•ื—ืจืจ ื‘ืื•ืงื˜ื•ื‘ืจ 1976 ื‘ืงื ื“ื” ื‘ืœื‘ื“ ื•ื ืฉื ืืช ืฉืžื” (ื•ืžืื•ื—ืจ ื™ื•ืชืจ ืงื™ื‘ืœ ืืช ื”ืฉื In the Beginning), ื ื›ืœืœ ืงื˜ืข ืืจื•ืš ืขื ืžื•ื˜ื™ื‘ื™ื ืคืจื•ื’ืจืกื™ื‘ื™ื™ื ื•ืงืœืืกื™ื™ื ื‘ืฉื "Blinding Light Show/Moonchild".

(Photo: Round Hill Records)


ืืœื‘ื•ืžื” ื”ืฉื ื™ ืฉืœ ื”ืœื”ืงื” "Rock & Roll Machine" ืืฉืจ ื™ืฆื ื‘ื ื•ื‘ืžื‘ืจ 1977, ื”ื™ื” ื”ืจืืฉื•ืŸ ืฉืฉื•ื—ืจืจ ืžื—ื•ืฅ ืœื’ื‘ื•ืœื•ืช ืงื ื“ื”. ื’ื ื”ื•ื ื›ืœืœ ื™ืฆื™ืจื” ืื—ืช ืืจื•ื›ื” ืžื‘ื™ืช ื”ื™ื•ืฆืจ ืฉืœ ืจื™ืง ืืžื˜ - "The City: War March/El Duende Agonizante/ Minstrel's Lament", ืืฉืจ ื’ื ื”ืคืขื ื›ืœืœ ืžื•ื˜ื™ื‘ื™ื ืคืจื•ื’ืจืกื™ื‘ื™ื™ื ื•ืงืœืืกื™ื™ื. ื”ื’ื ืฉื”ืฆืœื™ืœ ื•ื”ืกื’ื ื•ืŸ ืฉืœ "ื˜ืจื™ื•ืžืฃ" ื”ื™ื• ื™ื™ื—ื•ื“ื™ื™ื, ื”ืฉื•ื•ืื” ืขื ื˜ืจื™ื• ืงื ื“ื™ ืื—ืจ - "Rush", ืคืฉื•ื˜ ื”ื™ืชื” ื‘ืœืชื™ ื ืžื ืขืช. ื”ืฉื™ืœื•ื‘ ื‘ื™ืŸ ื”ื”ืืจื“ ืจื•ืง ื•ื”ืคืจื•ื’ืจืกื™ื‘ ื•ื”ืขื•ื‘ื“ื” ืฉืžื“ื•ื‘ืจ ื‘ื˜ืจื™ื• ืงื ื“ื™ ืœื ื”ื•ืชื™ืจื” ืœื”ื ืกื™ื›ื•ื™ ืœื—ืžื•ืง ืžื”ืจืคืจื ืก ืœืœื”ืงืช ื”ืจื•ืง ื”ื’ื“ื•ืœื” ื‘ื™ื•ืชืจ ืฉื™ืฆืื” ืžืงื ื“ื”.


ืื—ืจื™ ืฉื ื™ ืืœื‘ื•ืžื™ื ื”ื™ื™ืชื” ื”ืœื”ืงื” ืžื•ื›ื ื” ืœื›ื‘ื•ืฉ ื’ื ืืช ื”ืงื”ืœ ืžื—ื•ืฅ ืœื’ื‘ื•ืœื•ืช ืงื ื“ื”, ื•ื–ื” ืื›ืŸ ืงืจื” ืขื ื”ืืœื‘ื•ื "Just a Game" ื ื•ืฉื ืกื™ืงื•ืจื ื•, ืืฉืจ ื”ื•ืคืง ืขืœ-ื™ื“ื™ ื”ื‘ืกื™ืกื˜ ื•ื”ืงืœื™ื“ืŸ ืฉืœ ื”ืœื”ืงื” Mike Levine.


ืฉื ื™ ืกื™ื ื’ืœื™ื ืžืฆืœื™ื—ื™ื ืฉื•ื—ืจืจื• ืžื”ืืœื‘ื•ื, ืฉื ื™ื”ื ื ื›ืชื‘ื• ื•ืžื•ืฉืจื™ื ืขืœ-ื™ื“ื™ ื”ื’ื™ื˜ืจื™ืกื˜ Rik Emmett.


ื”ืกื™ื ื’ืœ ื”ืจืืฉื•ืŸ - "Hold On" ื ื›ืชื‘ ืฉื ืชื™ื™ื ืงื•ื“ื ืœื”ื•ืฆืืช ื”ืืœื‘ื•ื ื•ื‘ื•ืฆืข ื‘ื”ื•ืคืขื•ืช ื”ืœื”ืงื” ื›ืฉื™ืจ ืืงื•ืกื˜ื™, ืืš ืœื›ื‘ื•ื“ ื”ืืœื‘ื•ื ื”ืœื”ืงื” ื”ื—ืœื™ื˜ื” ืœืขื‘ื“ ืื•ืชื• ืžื—ื“ืฉ ืœืฉื™ืจ ื“ื™ื ืžื™ ืฉื”ื—ืœ ืืงื•ืกื˜ื™ ื•ืฉืงื˜ ื•ื”ืœืš ื•ื”ืชืคืชื—. ื’ื™ืจืกืช ื”ืกื™ื ื’ืœ ื—ืชื›ื” ืืช ื”ืฉื™ืจ ืœื—ืฆื™, ืžืฉื™ืจ ืฉื—ื•ืฆื” ืฉืฉ ื“ืงื•ืช ืœ- 2:59 ื‘ืœื‘ื“. ื”ืฉื™ืจ ื”ื–ื” ืžื”ื•ื•ื” ื—ืœืง ืžื™ืฆื™ืจืช ืงื•ื ืกืคื˜ ื’ื“ื•ืœื” ื™ื•ืชืจ ืฉืชื•ืคืกืช ืืช ื›ืœ ื”ืฆื“ ื”ืฉื ื™ ืฉืœ ื”ื•ื™ื ื™ืœ ื•ื ืงืจืืช "The Twisted Maze".


ื”ืกื™ื ื’ืœ ื”ืฉื ื™ - "Lay It on the Line" ื”ื•ื ืื—ื“ ื”ืฉื™ืจื™ื ื”ื™ืคื™ื ื•ื”ืื”ื•ื‘ื™ื ืขืœื™ื ื• ืฉืœ ื”ืœื”ืงื”, ืืฉืจ ืืฃ ื”ื•ื ื ื›ืชื‘ ื›ืฉื ืชื™ื™ื ืœืคื ื™ ื™ืฆื™ืืช ื”ืืœื‘ื•ื. Rik Emmett ืฆื™ื™ืŸ ืฉื”ืฉื™ืจ ืžื“ื‘ืจ ืขืœ ื›ื ื•ืช ื•ื”ืจืฆื•ืŸ ืฉื”ืื ืฉื™ื ื”ืงืจื•ื‘ื™ื ืืœื™ืš ื™ื”ื™ื• ื’ืœื•ื™ื™ื ืื™ืชืš. ื”ืฉื™ืจ ื–ื›ื” ืœื”ื™ื›ื ืก ืœืคืกืงื•ืœ ื”ืกืจื˜ ืฉืœ ืื“ื ืกื ื“ืœืจ "Grown Ups" ืžืฉื ืช 2010.


ื›ื‘ืจ ืืžืจื ื• ืฉืื—ื“ ื”ื—ื•ื–ืงื•ืช ืฉืœ ื”ืœื”ืงื” ื”ื–ืืช ื”ื™ื ืฉื™ืฉ ืœื” ืฉื ื™ ื–ืžืจื™ื ืžื•ื‘ื™ืœื™ื ืฉืžืฉืœื™ืžื™ื ื–ื” ืืช ื–ื”. ืื– ื’ื ื”ืžืชื•ืคืฃ Gil Moore ืชืจื ื›ืืŸ ืืช ืงื•ืœื• ืœื›ืžื” ืฉื™ืจื™ื ื™ืคื™ื ืื•ืชื ื’ื ื›ืชื‘, ื‘ื™ื ื™ื”ื ืฉื™ืจ ื”ืคืชื™ื—ื” ื”ืจื•ืงื™ืกื˜ื™ "Movin' On" ื•ืฉื™ืจ ื”ื‘ืœื•ื– ื”ืงืœืืกื™ "Young Enough to Cry".


ืจื™ืง ืืžื˜ ื™ื—ื–ื™ืจ ื‘ื‘ืœื•ื– ืžืฉืœื• ื‘ืงืฆื‘ ื”ื‘ื•ืกื ื•ื‘ื” ืขื "Suitcase Blues" ื•ื”ื•ื ื—ืชื•ื ื’ื ืขืœ ื›ืชื™ื‘ื” ื•ื‘ื™ืฆื•ืข ืฉืœ ืฉื™ืจ ื”ื ื•ืฉื ื”ื ืคืœื "Just a Game".


ื‘ืืœื‘ื•ื ื”ื–ื” ืชื—ืœ ื’ื ืžืกื•ืจืช ื›ืžืขื˜ ืงื‘ื•ืขื” ืฉืœ ื”ืœื”ืงื”, ืœืฉืœื‘ ืงื˜ืข ืื™ื ืกื˜ืจื•ืžื ื˜ืืœื™ ืงืœืืกื™ ืงืฆืจ ืฉืœ ื”ื’ื™ื˜ืจื™ืกื˜ ืจื™ืง ืืžื˜, ื‘ื• ื”ื•ื ืžืฆื™ื’ ืืช ื™ื›ื•ืœื•ืชื™ื• ื”ืžื“ื”ื™ืžื•ืช. ื‘ืžืงืจื” ื”ื–ื” ืžื“ื•ื‘ืจ ื‘ืงื˜ืข ื”ืงืกื•ื "Fantasy Serenade".


ืœื”ืื–ื ื”: Spotify, Apple Music


ืืชื ืžื•ื–ืžื ื™ื ืœืขืงื•ื‘ ืื—ืจื™ื ื• ื‘ืคื™ื™ืกื‘ื•ืง ื•/ืื• ืœื”ื™ืจืฉื ืœืืชืจ!!

"ืขื™ืžื•ืช ื—ื–ื™ืชื™" - ื‘ืœื•ื’ ื”ืจื•ืง ืฉืœ ื™ืฉืจืืœ ื•ืคื•ื“ืงืืกื˜

77 ืฆืคื™ื•ืช

 ื ื”ื ื™ื ืžื”ื‘ืœื•ื’? ื”ื™ืจืฉืžื• ืœืงื‘ืœ ืืช ื”ืคื•ืกื˜ ื”ื‘ื ื™ืฉื™ืจื•ืช ืœืžื™ื™ืœ !!

ืชื•ื“ื” ืจื‘ื” ืขืœ ื”ื”ืจืฉืžื”!

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