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U2 - The Joshua Tree

ืžื”ื• ื”ืืœื‘ื•ื ืขื ื”ืคืชื™ื—ื” ื”ื’ื“ื•ืœื” ื‘ื™ื•ืชืจ ื‘ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืžื•ื–ื™ืงื” ืœื“ืขืชื›ื ?


ื˜ื•ื‘, ื‘ืืžืช ืฉืงืฉื” ืœื‘ื—ื•ืจ ืื—ื“ ื›ื–ื”, ืื‘ืœ ืžื” ืฉื‘ื˜ื•ื— ื”ื•ื ืฉื”ืืœื‘ื•ื "The Joshua Tree" โ€“ ืืœื‘ื•ืžื” ื”ื—ืžื™ืฉื™ ืฉืœ ืœื”ืงืช "U2" ืฉืฉื•ื—ืจืจ ื‘- 9 ืœืžืจืฅ 1987 ื ืžืฆื ื‘ื˜ื•ืค ืฉืœ ืื•ืชื” ืจืฉื™ืžื”, ื™ื—ื“ ืขื "The Dark Side Of The Moon" ื•ืขื•ื“ ืื—ืจื™ื.


ื›ืŸ, ื›ืŸ, ืฉื˜ื™ื— ื”ืงืœื™ื“ื™ื ื”ืžื”ืคื ื˜ ืฉืœ Brian Eno, ืฉืคื•ืชื— ืืช "Where the Streets Have No Name", ืžืชื—ื™ืœ ืจืš ื•ืžืœื˜ืฃ ื•ืื˜ ืื˜ ื”ื•ืœืš ื•ืžืชื’ื‘ืจ. ื”ื’ื™ื˜ืจื” ืฉืœ The Edge ืฉืžื’ื™ื—ื” ืžืื—ื•ืจ ื‘ื˜ื™ื•ืœ ืžืขื’ืœื™ ืขืœ ื”ืžื™ืชืจื™ื, ืกื—ื•ืจ, ืกื—ื•ืจ, ื›ืื™ืœื• ื‘ื’ื™ืจื•ื™ ืฉื”ื•ืœืš ื•ืžืชื—ื–ืง ื•ืžื•ื‘ื™ืœ ืื•ืชืš ืœืงืœื™ื™ืžืงืก ื”ื‘ืœืชื™ ื ืžื ืข ืฉืžื’ื™ืข ืื™ ืฉื ื‘ื“ืงื” 1:06 ื›ืฉื”ื’ื™ื˜ืจื” ืคืฉื•ื˜ ืคื•ืจืฆืช ืืช ื—ื•ืžืช ื”ืงืœื™ื“ื™ื ื”ื‘ืฆื•ืจื” ื›ืžื• ืื™ืœ ื ื™ื’ื•ื— ืจื•ืžื™, ื•ื ื™ืชืŸ ื”ืื•ืช ืœื”ืกืชืขืจื•ืช ืฉืœ ื—ื˜ื™ื‘ืช ื”ืงืฆื‘. ืจืืฉื•ืŸ, ื”ื›ื— ื”ื—ืœื•ืฅ ืขื ื”ื‘ืก ื”ืคื•ืขื ืฉืœ Adam Clayton ื‘ื“ืงื” 1:09 "ื˜ื™ืŸ, ื‘ื”, ื‘ื”, ื‘ื”, ื‘ื”...." ื•ืžื™ื“ ืื—ืจื™ื• ื“ื•ื”ืจ ื—ื™ืœ ื”ืคื™ืœื™ื ืฉืœ Larry Mullen Jr., ื•ื›ืฉ- Bono ืฉืจ "I want to tear down the walls.." ืœื›ื•ืœื ื›ื‘ืจ ื‘ืจื•ืจ ืขืœ ืžื” ื”ื•ื ืฉืจ.


ื›ื›ื” ื ืคืชื— ืœื• ืืœื‘ื•ื ืžื•ืคืช. ืืœื‘ื•ื ืฉื”ืขืœื” ืืช "ื™ื• 2" ืœืœื™ื’ืช ื”ืขืœ ืฉืœ ื”ืจื›ื‘ื™ ื”ืจื•ืง ื”ื’ื“ื•ืœื™ื ื‘ื›ืœ ื”ื–ืžื ื™ื, ืืœื‘ื•ื ืฉื”ืคืš ืื•ืชื” ืžืœื”ืงื” ืฉืœ "ืืจื™ื ื•ืช" ื‘ื’ื•ื“ืœ ื‘ื™ื ื•ื ื™ ืœืœื”ืงืช ืื™ืฆื˜ื“ื™ื•ื ื™ ืขื ืง.


ืื ื”ืืœื‘ื•ื "War" ืขืœื™ื• ื›ืชื‘ื ื• ืœื›ื ืœืคื ื™ ืงืฆืช ื™ื•ืชืจ ืžืฉื‘ื•ืข ื”ืฉืคื™ืข ืขืœ ื”ืกืื•ื ื“ ื”ืืœื˜ืจื ื˜ื™ื‘ื™ ืฉืœ ืฉื ื•ืช ื”ืฉืžื•ื ื™ื, ืื– ื”ืืœื‘ื•ื ื”ื–ื” ืคืฉื•ื˜ ื”ื’ื“ื™ืจ ืื•ืชื• ืžื—ื“ืฉ.


ื‘ื™ืŸ ื—ื‘ืจื™ ื”ืœื”ืงื” ืœื ื”ื™ื” ื‘ืชื—ื™ืœื” ืงื•ื ืฆื ื–ื•ืก ื‘ืืฉืจ ืœืงื• ื”ืžื•ื–ื™ืงืœื™ ืฉื™ืœื•ื•ื” ืืช ื”ืืœื‘ื•ื, ืื‘ืœ ืžื” ืฉื”ื™ื” ื‘ืจื•ืจ ืœื›ื•ืœื ื”ื•ื ืฉื”ื ืžืขื•ื ื™ื™ื ื™ื ืœื”ืชืจื—ืง ืžื”"ืกื™ื ืชืคื•ืค" ื•"ื”ื’ืœ ื”ื—ื“ืฉ" ืฉืžืฉืœื• ื‘ื›ื™ืคื” ื‘ืžื”ืœืš ืฉื ื•ืช ื”ืฉืžื•ื ื™ื. ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ื”ืฆืœื™ื—ื• ื›ื•ืœื ืœืžืฆื•ื ืžื›ื ื” ืžืฉื•ืชืฃ, ืืœื‘ื•ื ืฉื™ืชืžืงื“ ืกื‘ื™ื‘ ืžื” ืฉื”ื ื”ื’ื“ื™ืจื• ื›"ืฆื‘ืขื™ ื”ื™ืกื•ื“ ืฉืœ ื”ืจื•ืง". ื’ื™ื˜ืจื”, ื‘ืก, ืชื•ืคื™ื. ื–ื” ืงืจื” ืœืื—ืจ ืฉื‘ื•ื ื• ื‘ื™ืœื” ื‘ืžื”ืœืš ืฉื ืช 1985 ืขื Keith Richards ื•- Mick Jagger ืžื”"ืจื•ืœื™ื ื’ ืกื˜ื•ื ืก", ืืฉืจ ื”ืฉืžื™ืขื• ืœื• ืžื•ื–ื™ืงืช ื‘ืœื•ื– ื•ืงืื ื˜ืจื™ ื•ืœืื—ืจ ืฉ- The Edge ื’ื™ืœื” ืืช ืื•ืžื ื™ ื”ื‘ืœื•ื– ื•ื”ืงืื ื˜ืจื™ ื›ืžื• Howlin' Wolf, Robert Johnson ื•- Hank Williams. ื”ืฉื ื™ื™ื ืฉื”ืจืงืข ื”ืžื•ื–ื™ืงืœื™ ืฉืœื”ื ื”ืชื‘ืกืก ืขืœ ืคืื ืง-ืจื•ืง ื”ื™ื• ืคืฉื•ื˜ ื ื‘ื•ื›ื™ื ืžื”ืขื•ื‘ื“ื” ืฉืœื ื”ื›ื™ืจื• ืืช ื”ืกื’ื ื•ื ื•ืช ื”ืœืœื• ื”ื™ื˜ื‘, ื•ืงื™ื‘ืœื• ื”ื—ืœื˜ื” ืœื—ืงื•ืจ ืื•ืชื ื™ื•ืชืจ ืœืขื•ืžืง.


ื”ื”ื—ืœื˜ื” ื‘ืืฉืจ ืœืงื• ื”ืžื•ื–ื™ืงืœื™ ืฉืœ ื”ืืœื‘ื•ื, ื”ื”ืฉืคืขื•ืช ืฉืœ ื”ื‘ืœื•ื– ื•ื”ืงืื ื˜ืจื™ ืฉื”ืœื”ืงื” ื‘ื—ืจื” ื‘ืื•ืคืŸ ืžื•ื“ืข ืœืœื›ืช ืื—ืจื™ื”ื ื•ืขื‘ื•ื“ืช ื”ื”ืคืงื” ื”ืžื“ื”ื™ืžื” ืฉืœ Brian Eno ื•- Daniel Lanois ื‘ืกื™ื•ืข Flood, ืฉื”ื—ืœื™ื˜ื• ืœืงื™ื™ื ืืช ื”ื”ืงืœื˜ื•ืช ื‘ื‘ื™ืช ืขืชื™ืง ื‘ืื™ืจืœื ื“ ืฉื”ื•ืกื‘ ืœื”ื™ื•ืช ืื•ืœืคืŸ ื”ืงืœื˜ื•ืช, ื™ืฆืจื• ืฉื™ืœื•ื‘ ืžื ืฆื— ืฉื”ื•ื‘ื™ืœ ืœืžืืกื˜ืจืคื™ืก.


ื”ืืœื‘ื•ื ื”ื–ื” ื”ื’ืฉื™ื ืืช ื”ืจื•ืžืŸ ื”ืžืชืžืฉืš ืฉืœ ื”ืœื”ืงื” ืขื ืืžืจื™ืงื”. ืกื™ื‘ื•ื‘ื™ ื”ื”ื•ืคืขื•ืช ืฉืœ ื”ืœื”ืงื” ื‘ืืจื”"ื‘ ืฉืœ ืจืืฉื™ืช ืฉื ื•ืช ื”ืฉืžื•ื ื™ื, ื”ื‘ื™ืื• ืืช ื”ืœื”ืงื” ืœื‘ื—ื•ืจ ื‘ื ื•ืฉื "ืืžืจื™ืงื”" ื›ื ื•ืฉื ื”ื›ืœืœื™ ืฉื™ืœื•ื•ื” ืืช ื”ืืœื‘ื•ื, ื•ื”ื•ื ืื›ืŸ ืงื™ื™ื ืฉื ื•ื‘ื’ื“ื•ืœ. ื”ื—ืœ ื‘ื’ื•ืกืคืœ ืฉืœ "I Still Haven't Found What I'm Looking For", ื“ืจืš ื”ืกืœื™ื™ื“ ื’ื™ื˜ืจ ื•ื”ื‘ืœื•ื– ื”ืืงื•ืกื˜ื™ ืฉืœ "Running to Stand Still" ื•ื”ืžืคื•ื—ื™ืช ื”"ื‘ื•ื‘ ื“ื™ืœื ื™ืช" ืฉืœ "Trip Through Your Wires", ื•ื›ืœื” ื‘ืขื˜ื™ืคืช ื”ืืœื‘ื•ื ืฉื”ืœื”ืงื” ืฆื™ืœืžื” ืœืจืืฉื•ื ื” ื‘ืืจื”"ื‘.


ื‘ื“ื•ืžื” ืœืืœื‘ื•ืžื™ื ื”ืงื•ื“ืžื™ื, ื’ื ื”ืคืขื ื ื™ื›ืจื•ืช ื”ื”ืฉืคืขื•ืช ื”ืื™ืจื™ื•ืช-ืงืชื•ืœื™ื•ืช ืฉืœ ื—ื‘ืจื™ ื”ืœื”ืงื” ื•ืืžื•ื ืชื ื”ื“ืชื™ืช, ื›ืžืงื•ืจ ื”ืฉืจืื” ืœื—ืœืง ืžืžื™ืœื•ืช ื”ืืœื‘ื•ื. ื”ื—ื™ืคื•ืฉ ื”ืจื•ื—ื ื™ ืฉืœ "I Still Haven't Found What I'm Looking For" , "ื’ืŸ ื”ืขื“ืŸ" ืขืœื™ื• ื ืจืžื– ื›ืžืงื•ื ืฉืื™ืŸ ืœืจื—ื•ื‘ื•ืช ื‘ื• ืฉืžื•ืช ื‘- "Where the Streets Have No Name", ื”ืื–ื›ื•ืจ ืœืžืื‘ืง ืฉืœ ื™ืขืงื‘ ื‘ืžืœืืš ื‘ืฉื™ืจ "Bullet the Blue Sky" ื•ื”ื”ืชื™ื™ื—ืกื•ืช ืœื‘ื ื™ ืงื™ืŸ ื‘ืฉื™ืจ "In God's Country".


ื™ืฉ ื‘ืืœื‘ื•ื ื”ื–ื” ืจืฆืฃ ืœื”ื™ื˜ื™ื ืคืฉื•ื˜ ื‘ืœืชื™ ื ืชืคืก: "Where the Streets Have No Name" ืฉื”ืขื‘ื•ื“ื” ืขืœื™ื• ื›ื™ืœืชื” ื›- 40% ืžื–ืžืŸ ื”ืื•ืœืคืŸ ืฉื”ื•ืงืฆื‘ ืœื”ืงืœื˜ืช ื”ืืœื‘ื•ื ื›ื•ืœื• ื•ืฉื”ืžื™ืœื™ื ืฉืœื• ื”ื•ืฉืคืขื• ืžืกื™ืคื•ืจ ืฉืฉืžืข Bono ืขืœ ื›ืš ืฉื‘ื‘ืœืคืกื˜ ื ื™ืชืŸ ืœืœืžื•ื“ ืขืœ ื”ื›ื ืกืชื• ื•ื“ืชื• ืฉืœ ืื“ื ืจืง ืžื”ืจื—ื•ื‘ ื‘ื• ื”ื•ื ื’ืจ, "I Still Haven't Found What I'm Looking For" ืฉื”ืชื—ื™ืœ ืžื’'ืื ืกืฉืŸ ืฉื›ืœืœ ื“ืคื•ืก ืชื™ืคื•ืฃ ืžืื•ื“ ืžื™ื•ื—ื“ ืฉืœ ืœืืจื™ ืžื•ืœืืŸ, "With or Without You" ืฉื”ื™ื” ืœืœื”ื™ื˜ ื”ืจืืฉื•ืŸ ืฉืœ ื”ืœื”ืงื” ืฉื›ื‘ืฉ ืืช ืฆืžืจืช ื”ืžืฆืขื“ ื‘ืืจื”"ื‘, "Bullet the Blue Sky" ืฉื”ื•ืฉืคืข ืžืžืœื—ืžืช ื”ืื–ืจื—ื™ื ื‘ืืœ ืกืœื•ื•ื“ื•ืจ ื‘ื” ื‘ื™ืงืจ Bono ื•ื›ื•ืœืœ ืืช ื”ืžื™ืœื™ื "Rattle and Hum" ืฉื™ืฉืžืฉื• ื›ื›ื•ืชืจืช ืœืืœื‘ื•ื ื”ื‘ื, "Running to Stand Still" - ื”ื‘ืœื“ื” ื”ืฉืงื˜ื” ื•ื”ืžืฆืžืจืจืช ืขืœ ื–ื•ื’ ืžื›ื•ืจื™ื ืœื”ื™ืจื•ืื™ืŸ ืžื“ื‘ืœื™ืŸ, "Red Hill Mining Town" ืฉืžืกืคืจ ืขืœ ืฉื‘ื™ืชืช ื”ื›ื•ืจื™ื ืฉืœ ื‘ืจื™ื˜ื ื™ื” ื‘ืฉื ืช 1984 ื•ืขื•ื“ ื•ืขื•ื“...


ื”ืืœื‘ื•ื ื”ื–ื” ืžื•ืงื“ืฉ ืœืื—ื“ ืžื—ื‘ืจื™ ื”ืฆื•ื•ืช ืฉืœ ื”ืœื”ืงื”, Greg Carroll, ืฉื ื”ืจื’ ื‘ืชืื•ื ืช ืื•ืคื ื•ืข ื‘ื“ื‘ืœื™ืŸ. ื—ื‘ืจื™ ื”ืœื”ืงื” ื ืกืขื• ืœื ื™ื• ื–ื™ืœื ื“, ืืจืฅ ื”ื•ืœื“ืชื• ืฉืœ ืงืืจื•ืœ, ื›ื“ื™ ืœื”ืฉืชืชืฃ ื‘ื”ืœื•ื•ื™ื” ืฉืœื•. ื”ื˜ืจื’ื“ื™ื” ื•ื”ื—ื•ื•ื™ื” ืฉืœ ื—ื‘ืจื™ ื”ืœื”ืงื” ืžื”ืชืื•ื ื” ื”ืžืฆืขืจืช ื”ื™ื•ื• ื”ืฉืจืื” ืœืฉื™ืจ "One Tree Hill" ืžืชื•ืš ื”ืืœื‘ื•ื, ืืฉืจ ื›ืืžื•ืจ ื”ื•ืงื“ืฉ ื›ื•ืœื• ืœ- Greg Carroll.


ืขื ื™ืฆื™ืืชื• ื–ื›ื” ื”ืืœื‘ื•ื ืœื‘ื™ืงื•ืจื•ืช ืžื”ืœืœื•ืช ืฉืœ ื”ืžื‘ืงืจื™ื ื”ืฉื•ื ื™ื. "The Joshua Tree" ื ืžืฆื ื›ืžืขื˜ ื‘ื›ืœ ืจืฉื™ืžืช ื“ื™ืจื•ื’ ืืคืฉืจื™ืช ืฉืœ ื”ืืœื‘ื•ืžื™ื ื”ื’ื“ื•ืœื™ื ื‘ื›ืœ ื”ื–ืžื ื™ื. ื”ื•ื ืฉื‘ืจ ืฉื™ื ื›ืืœื‘ื•ื ืฉื ืžื›ืจ ื”ื›ื™ ืžื”ืจ ื‘ื‘ืจื™ื˜ื ื™ื”, ืœืื—ืจ ืฉื‘ืชื•ืš 48 ืžืขืช ื™ืฆื™ืืชื• ื”ื•ื ืงื™ื‘ืœ ืžืขืžื“ ืฉืœ ืคืœื˜ื™ื ื”. ื–ื”ื• ื”ืืœื‘ื•ื ื”ื ืžื›ืจ ื‘ื™ื•ืชืจ ืฉืœ ื”ืœื”ืงื”, ืืฉืจ ื ืžื›ืจ ื‘ืœืžืขืœื” ืž- 25 ืžืœื™ื•ืŸ ืขื•ืชืงื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื, ื‘ืขื•ื“ื• ื›ื•ื‘ืฉ ืืช ืคืกื’ืช ืžื›ื™ืจื•ืช ื”ืืœื‘ื•ืžื™ื ื‘ืœืžืขืœื” ืž- 20 ืžื“ื™ื ื•ืช.


ืžืขื ื™ื™ืŸ ืœืฆื™ื™ืŸ ืฉืœืžืจื•ืช ื”ืฆืœื—ืชื• ื”ื’ื“ื•ืœื”, ื—ืจืฃ ื”ื‘ื™ืงื•ืจื•ืช ื”ืžืฉื‘ื—ื•ืช ื•ืขืœ-ืืฃ ื”ื”ืฉืคืขื” ื”ืื“ื™ืจื” ืฉืœื•, ืขืฉื• ื—ื‘ืจื™ ื”ืœื”ืงื” ืฉื ื™ื ืœืื—ืจ ืžื›ืŸ ืืช ื›ืœ ืฉื ื™ืชืŸ ื›ื“ื™ ืœื”ืชืจื—ืง ืžืžื ื•. Bono ืฆื™ื™ืŸ ื‘ืื—ื“ ื”ืจืื™ื•ื ื•ืช ืขืžื• ื›ื™ ื”ืืœื‘ื•ื "Achtung Baby" ื”ื•ื ื”ืกืื•ื ื“ ืฉืœ ืืจื‘ืขื” ื’ื‘ืจื™ื ื”ืžื ืกืจื™ื ืœื—ืชื™ื›ื•ืช ืืช "ืขืฅ ื™ื”ื•ืฉืข"...


ืœื”ืื–ื ื” ืœืืœื‘ื•ื: Spotify, Apple Music.


ืืชื ืžื•ื–ืžื ื™ื ืœืขืงื•ื‘ ืื—ืจื™ื ื• ื‘ืคื™ื™ืกื‘ื•ืง ื•/ืื• ืœื”ื™ืจืฉื ืœืืชืจ!!

"ืขื™ืžื•ืช ื—ื–ื™ืชื™" - ื‘ืœื•ื’ ื”ืจื•ืง ืฉืœ ื™ืฉืจืืœ ื•ืคื•ื“ืงืืกื˜

 ื ื”ื ื™ื ืžื”ื‘ืœื•ื’? ื”ื™ืจืฉืžื• ืœืงื‘ืœ ืืช ื”ืคื•ืกื˜ ื”ื‘ื ื™ืฉื™ืจื•ืช ืœืžื™ื™ืœ !!

ืชื•ื“ื” ืจื‘ื” ืขืœ ื”ื”ืจืฉืžื”!

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